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CAST
Galleria Mario Iannelli Exhibition with Baldo Dito, Schirin Kretschmann, Yorgos Stamkopoulos
02.03.–23.04.2021 ↓EThe show highlights the act of casting as a starting point in observing the constant figure of Diodato's conceptual and sculptural work that is found in some aspects and in changed forms in Kretschmann's site-specific work and in the painting by Stamkopoulos.
Galleria Mario Iannelli→ -
For Free*
(*artists are not working for free), curated show with Daniel Man and aprox. 80 invited artists
24.03–31.05.2021 ↓E -
Raum Malen
Gropius Bau, Berlin, curated by Julienne Lorz
15.10.2021–16.01.2022 ↓EPainting Space brings together a variety of contemporary artists exploring the materiality of painting and its relationship with space. Existing works sit alongside new commissions created especially for this show, inviting visitors to experience painting both visually and physically.
https://www.berlinerfestspiele.de→ -
On The Quiet
Städtische Galerie Fruchthalle Rastatt, curated by Carolina Peréz Pallares and Benjamin Appel
Opening 23.04.2021E -
In Situ Paradise
1. Lindau Biennale, curated by Sophie-Charlotte Bombeck
May - September 2021 ↓E -
Surroundings
Permanent in-situ work, Vector Informatik, Stuttgart
September 2021E -
Klasse Kretschmann: On the Quit
Talk and ongoing workshop with Carolina Pérez Pallares and Benjamin Appel
01.02.2021, 13h, online ↓R -
Biegen und Falten
KunstHaus Potsdam, curated by Birgit Möckel
01.11.2020–17.01.2021 ↓EIntroduction: 01.11.2020, 16h. Dr. Birgit Möckel, Robert Kudielka
Artist Talk: 15.11.2020, 16h
Group Show with Samuel Henne, Schirin Kretschmann, Florian Neufeldt, David Semper, Albert Weis a.o., curated by Dr. Birgit Möckel
https://www.kvkhpotsdam.de→ -
Professorship at Academy of Fine Arts Munich
Akademie der Bildenden Künste München
01.10.2020 ↓R -
Mentoring Program
Kunstbüro der Kunststiftung Baden-Württemberg, Stuttgart
01.10.2020 ↓RSchirin Kretschmann is a mentor in the Kunstbüro’s new mentoring program in 2020.
https://www.kunstbuero-bw.de/mentoring.html→ -
She Comes in Colours Everywhere
68projects, Berlin, curated by Alexandra Alexopoulou
11.09.–31.10.2020 ↓EExhibition with works by Pierre Descamps, Schirin Kretschmann, Cyrill Lachauer, Gerold Miller, Yorgos Stamkopoulos, Stephanie Stein and Lisa Tiemann on the occasion of Berlin Art Week 2020.
https://www.68projects.com→ -
MAX RENKEL: SCORE, FORM, TWO HEADS
Galleria Mario Iannelli, Rom
10.11.-31.12.2020 ↓EIn the exhibition of the artist Max Renke, a choice of works by artists with whom the gallery cooperates is included, thus sharing proximity of investigation and aiming to extend the reflection through further connections.
https://www.marioiannelli.it/exhibitions/max-renkel-score-form-two-heads/→ -
Welt in Teilen
Kunstverein St. Pauli, Hamburg
11.09.–20.09.2020 ↓EArtistic perspectives on the potentials of an aimless and dysfunctional urban development. On an area of approx. 5000 square metres, a spatial intervention is being created with the collaboration of 11 artists. The Heiligengeistfeld“ is a large public space in the centre of the Hamburg district of St. Pauli. Three times a year the DOM, the largest Northern German fun fair, takes place there. In between, the area is used for various events from the entertainment sector, but is often transformed into a large construction site to clear explosive ordnance from the Second World War. This results in a unique field of tension between a recreational area with an overabundance of colourful, fast-moving attractions of light entertainment and a working situation in which large heaps of earth and ditches, which are separated from the public but are clearly visible, are created because the past is questioned with diggers and construction machinery. Despite these contrasts, both conditions of the large square illustrate "heaps of time and boredom, abundance and waste" (quote from „Ort des Gegen“, Annette Wehrmann), which we want to address and elaborate. What happens when common processes and planning are being stopped or interrupted. How can improvisation and process gain importance under these circumstances? We are interested to discover some of the potentials of an aimless and dysfunctional urban development.
http://www.kunstvereinstpauli.de→ -
Drawing Wow 2
Kunstsaele Berlin, Berlin
05.08.–22.08.2020 ↓EGroup show, curated by Anna Gille, Philip Loersch, Tim Plamper
https://www.drawingwow.de→
www.instagram.com/d.r.a.w.i.n.g.w.o.w -
Gathering the unpredictable
Galleria Mario Iannelli, Rom
03.06.–18.09.2020 ↓EPaula Doepfner, Felix Kiessling, Schirin Kretschmann, Simon Mullan, David Prytz, Antoine Renard
https://www.marioiannelli.it/exhibitions/gathering-the-unpredictable/→ -
Stille Materialität der Zeit
DFG-Kolleg-Forschungsgruppe Imaginarien der Kraft, Hamburg
01.06.–30.06.2019 ↓RSchirin Kretschmann is artist in residence in summer 2019.
Research Project→ -
Tracing Bauhaus
Ausstellungskatalog, Kunsthaus Erfurt
2019 ↓MMargret Hoppe, Schirin Kretschmann, Adrian Palko, Thomas Prochnow,
Christian Rothe, Rachel SmithHrsg. v. Monique Förster, Galerie Kunsthaus Erfurt, Eigenverlag 2019
Texte: Dr. Linn Burchert, Andrea KarleGestaltung: copa-ipa
Festeinband, 32 x 23,5 cm x 21 cm, 48 Seiten, 26 Farbabbildungen, d
ISBN 978-3-938964-08-8
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Kunst Parallel zur Natur
Haus für Musiker, Stiftung Insel Hombroich, curated by Georg Schmidt
28.10.–02.11.2019 ↓AExperiments, Reflexions, Talks
Almut Hilf, Schirin Kretschmann, David Semper, Andreas von Ow
Kunst parallel zur Natur→ -
Form- und Bewegungskräfte
Jahrestagung der DFG-Kolleg-Forschungsgruppe Imaginarien der Kraft, Warburg-Haus, Hamburg
16.–18.01.2020 ↓TDer Umgang mit Kräften gehört zum Grund- inventar künstlerischer Verfahren. Zug und Stoß, Schwere und Levitation, Einprägung und Druck betreffen bereits den konkreten Umgang mit dem Material. Kinesis und Motorik, Motion und Emotion kommen in der bildenden Kunst wie in Tanz, Theater, Film und Literatur zum Tragen. Mit energeia, vis und movere bezeichnet die klassische Rhetorik schließlich das Leistungsprofil der Rede, das auch zur Beschreibung der Wirkungsdimensionen der Dichtung wie auch der Bilder genutzt worden ist. Welche anthropologischen und wahrnehmungs- psychologischen Konzepte spielen hier eine Rolle? Auf welche Weise entwerfen sich die Künste in der steten Auseinandersetzung – sei es der Handhabung, der Erforschung oder dem Selbst- vergleich – mit den in der Natur wirksamen Form- und Bewegungskräften?
Konzeption: Frank Fehrenbach, Lutz Hengst, Frederike Middelhoff, Cornelia Zumbusch
Programm→