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Painting Space brings together a variety of contemporary artists exploring the materiality of painting and its relationship with space. Existing works sit alongside new commissions created especially for this show, inviting visitors to experience painting both visually and physically.

https://www.berlinerfestspiele.de→

Introduction: 01.11.2020, 16h. Dr. Birgit Möckel, Robert Kudielka

Artist Talk: 15.11.2020, 16h

Group Show with Samuel Henne, Schirin Kretschmann, Florian Neufeldt, David Semper, Albert Weis a.o., curated by Dr. Birgit Möckel

https://www.kvkhpotsdam.de→

https://www.adbk.de/de/aktuell/news/2704-schirin-kretschmann-an-die-akademie-der-bildenden-kuenste-muenchen-berufen-3.html→

Schirin Kretschmann is a mentor in the Kunstbüro’s new mentoring program in 2020.

https://www.kunstbuero-bw.de/mentoring.html→

Exhibition with works by Pierre Descamps, Schirin Kretschmann, Cyrill Lachauer, Gerold Miller, Yorgos Stamkopoulos, Stephanie Stein and Lisa Tiemann on the occasion of Berlin Art Week 2020.

https://www.68projects.com→

In the exhibition of the artist Max Renke, a choice of works by artists with whom the gallery cooperates is included, thus sharing proximity of investigation and aiming to extend the reflection through further connections.

https://www.marioiannelli.it/exhibitions/max-renkel-score-form-two-heads/→

Artistic perspectives on the potentials of an aimless and dysfunctional urban development. On an area of approx. 5000 square metres, a spatial intervention is being created with the collaboration of 11 artists. The Heiligengeistfeld“ is a large public space in the centre of the Hamburg district of St. Pauli. Three times a year the DOM, the largest Northern German fun fair, takes place there. In between, the area is used for various events from the entertainment sector, but is often transformed into a large construction site to clear explosive ordnance from the Second World War. This results in a unique field of tension between a recreational area with an overabundance of colourful, fast-moving attractions of light entertainment and a working situation in which large heaps of earth and ditches, which are separated from the public but are clearly visible, are created because the past is questioned with diggers and construction machinery. Despite these contrasts, both conditions of the large square illustrate "heaps of time and boredom, abundance and waste" (quote from „Ort des Gegen“, Annette Wehrmann), which we want to address and elaborate. What happens when common processes and planning are being stopped or interrupted. How can improvisation and process gain importance under these circumstances? We are interested to discover some of the potentials of an aimless and dysfunctional urban development.

http://www.kunstvereinstpauli.de→

Group show, curated by Anna Gille, Philip Loersch, Tim Plamper
www.instagram.com/d.r.a.w.i.n.g.w.o.w

https://www.drawingwow.de→

Paula Doepfner, Felix Kiessling, Schirin Kretschmann, Simon Mullan, David Prytz, Antoine Renard

https://www.marioiannelli.it/exhibitions/gathering-the-unpredictable/→

Schirin Kretschmann is artist in residence in summer 2019.

Research Project→

Margret Hoppe, Schirin Kretschmann, Adrian Palko, Thomas Prochnow,
Christian Rothe, Rachel Smith

Hrsg. v. Monique Förster, Galerie Kunsthaus Erfurt, Eigenverlag 2019
Texte: Dr. Linn Burchert, Andrea Karle

Gestaltung: copa-ipa

Festeinband, 32 x 23,5 cm x 21 cm, 48 Seiten, 26 Farbabbildungen, d

ISBN 978-3-938964-08-8

Experiments, Reflexions, Talks

Almut Hilf, Schirin Kretschmann, David Semper, Andreas von Ow

Kunst parallel zur Natur→

Der Umgang mit Kräften gehört zum Grund- inventar künstlerischer Verfahren. Zug und Stoß, Schwere und Levitation, Einprägung und Druck betreffen bereits den konkreten Umgang mit dem Material. Kinesis und Motorik, Motion und Emotion kommen in der bildenden Kunst wie in Tanz, Theater, Film und Literatur zum Tragen. Mit energeia, vis und movere bezeichnet die klassische Rhetorik schließlich das Leistungsprofil der Rede, das auch zur Beschreibung der Wirkungsdimensionen der Dichtung wie auch der Bilder genutzt worden ist. Welche anthropologischen und wahrnehmungs- psychologischen Konzepte spielen hier eine Rolle? Auf welche Weise entwerfen sich die Künste in der steten Auseinandersetzung – sei es der Handhabung, der Erforschung oder dem Selbst- vergleich – mit den in der Natur wirksamen Form- und Bewegungskräften?

Konzeption: Frank Fehrenbach, Lutz Hengst, Frederike Middelhoff, Cornelia Zumbusch

Programm→